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Salvador Espriu i Castelló (July 10, 1913 – February 22, 1985) was a Catalan Spanish poet writing in the Catalan language.
Espiru was born in Santa Coloma de Farners, Catalonia. He was the son of an attorney. His childhood was divided between his home town, Barcelona, and Arenys de Mar, a village on the Maresme coast. At the age of sixteen, he published his first book, Israel, written in the Spanish language. In 1930 he entered the University of Barcelona, where he studied law and ancient history. While traveling (1933) to Egypt, Greece and Palestine, he became acquainted with the countries that originated the great classical myths, and which would be so influential in his work.
During the Spanish civil war he was mobilised and served in military accounting.
Translated into several languages, Espriu’s work has obtained international recognition, most notably the Montaigne prize (1971). He was also given the Award of Honour of Catalan Letters (1972), the Ignasi Iglesias prize (1980), the City of Barcelona Prize (1982) and the Gold Medal of the Generalitat de Catalunya (1982). He was awarded honorary doctor’s degrees by the universities of Toulouse and Barcelona.
He died in Barcelona in 1985, and was buried in the Arenys de Mar cemetery, which gives name to his poem Cementiri de Sinera.
In 1931 he published El doctor Rip, and the following year, Laia, novels that move away from the then-fashionable theoretical formulas of the aesthetics of the Catalan Noucentisme movement.
The publication of Aspectes (1934), Ariadna al laberint grotesc(1935) and Miratge a Citera (1935), established him as the most original narrator of his generation. In these books, Espriu’s prose alternately shifts from grotesque distortion to an aestheticising lyricism, probably under the influence of Spanish-language modernists Valle-Inclán and Gabriel Miró). He elaborated a synthetic realism under the linguistic tutelage of certain Catalan writers, such as Víctor Català and Joaquím Ruyra.
Poetry
Espriu, who had begun to write poetry before the war, did not publish his first volume of poems until 1946: Cementiri de Sinera, an elegy with a great formal sobriety. With this book and with the play Primera història d’Esther (published in 1948 and opened in 1957) —linguistically creative and original— began his post-war popularity, which grew as the rest of his work, essentially poetical, was published.
In Les cançons d’Ariadna (1949) he collected a series of poems from various periods that contrasted satire and distortion with elegy and lyricism and in which the mythological subjects can be found that were to appear in subsequent works.
The four books of poems that followed —Les hores and Mrs. Death (1952), El caminant i el mur (1954) and Final del laberint (1955)—compose, together with Cementiri de Sinera, a specific formal unity, on the one hand, given the symmetrical number of poems included in each volume and, on the other, the strict development of a very complex spiritual process that culminates in a mystical experience in the last book of the cycle.
About the author: http://www.wikipedia.org
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