Garcilaso de la Vega - biography, career, poetry
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Garcilaso de la Vega |
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Garcilaso de la Vega (c. 1501–;October 14, 1536), was a Spanish poet and soldier. The prototypical "Renaissance man," he was the most influential (though not the first or the only) poet to introduce Italian Renaissance verse forms, poetic techniques and themes to Spain. His exact birth date is unknown, but estimations by scholars put his year of birth between 1498 and 1503.
Garcilaso was born in the Spanish city of Toledo. His father, Pedro Suárez de Figueroa, was a noble in the royal court of the Catholic Kings. His mother’s name was Sancha de Guzmán. He had six brothers and sisters: Leanor, Pedro, Fernando, Francisco, Gonzalo, and Juana. Garcilaso was the second-oldest son which meant he did not receive the mayorazgo (entitlement) to his father’s estate. However, he spent his younger years receiving an extensive education, mastered five languages (Spanish, Greek, Latin, Italian and French), and learned how to play the zither, lute and the harp. After his schooling, he joined the military in hopes of joining the royal guard. He was named "contino" (imperial guard) of King Carlos I (also Carlos V of the Holy Roman Empire) in 1520, and he was made a member of the Order of Santiago in 1523.
There were a few women in the life of this poet. His first lover was Guiomar Carrillo with whom he had an illegitimate child. He had another suspected lover named Isabel Freire, who was a lady-in-waiting of Isabel of Portugal. In 1525, Garcilaso married Elena de Zúñiga who served as a lady-in-waiting for the King’s favorite sister, Leonor. Their marriage took place in Garcilaso’s hometown of Toledo in one of the family’s estates. He had six children: Lorenzo, an illegitimate child with Guiomar Carrillo, Garcilaso, Íñigo de Zúñiga, Pedro de Guzmán, Sancha, and Francisco.
Garcilaso’s military career meant that he took part in the numerous battles and campaigns conducted by Carlos V across Europe. His duties took him to Italy, Germany, Tunisia and France. In 1532 for a short period he was exiled to a Danube island where he was the guest of the Baron György Cseszneky, royal court judge of Győr. Later in France, he would fight his last battle. The King desired to take control of Marseille and eventually control of the Mediterranean Sea, but this goal was never realized. Garcilaso de la Vega died on October 14, 1536 in Nice, France after suffering 25 days from an injury sustained in a battle at Le Muy. His body was first buried in the Church of Santo Domingo in Nice, but two years later his wife had his body moved to the Church of San Pedro Martir in Toledo.
Works
Garcilaso de la Vega is best known for his tragic love poetry that contrasts the playful poetry of his predecessors. He seemed to progress through three distinct episodes of his life which are reflected in his works. During his Spanish period, he wrote the majority of his eight-syllable poems; during his Italian or Petrarchan period, he wrote mostly sonnets and songs; and during his Neapolitan or classicist period, he wrote his other more classical poems, including his elegies, letters, eclogues and odes. Influenced by many Italian Renaissance poets, Garcilaso adapted the eleven-syllable line to the Spanish language in his "sonetos," which were mostly written in the 1520s, during his Petrarchan period. Increasing the number of syllables in the verse from eight to eleven allowed for greater flexibility. In addition to the "soneto," Garcilaso helped to introduce several other types of stanzas to the Spanish language. These include the "estancia," formed by eleven- and seven-syllable lines; the "lira," formed by three seven-syllable and two eleven-syllable lines; and "endecasílabos sueltos," formed by unrhymed eleven-syllable lines.
Throughout his life, Garcilaso de la Vega wrote various poems in each of these types. His works include: forty Sonetos (Sonnets), 22 Canciones (Songs), eight Coplas (Couplets), three Églogas (Eclogues), two Elegías (Elegies), and the Epístola a Bóscan (Letter to Bóscan). Allusions to classical myths and Greco-Latin figures, great musicality, alliteration, rhythm and an absence of religion characterize his poetry. It can be said that Spanish poetry was never the same after Garcilaso de la Vega. His works have influenced the majority of subsequent Spanish poets, including other major authors of the period like Jorge de Montemayor, Fray Luis de León, San Juan de la Cruz, Miguel de Cervantes, Lope de Vega, Luis de Góngora and Francisco Quevedo. He has also had a revival influence among 21st century pastoral poets such as Seamus Heaney, Dennis Nurkse, and Giannina Braschi.
For example: (égloga Tercera):
Más a las veces son mejor oídos
el puro ingenio y lengua casi muda,
testigos limpios de ánimo inocente,
que la curiosidad del elocuente.
He was very good at transmitting the sense of life into writing, in many poems including his «dolorido sentir»:
No me podrán quitar el dolorido
sentir, si ya primero
no me quitan el sentido.
It believes in a world that is not the Christian world, is the pagan one (Égloga primera):
Contigo mano a mano
busquemos otros prados y otros ríos,
otros valles floridos y sombríos,
donde descanse, y siempre pueda verte
ante los ojos míos,
sin miedo y sobresalto de perderte. (Égloga primera)
About the author:
http://wikipedia.org
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